Adlib vs Axiell Collections: How to use Adlib’s key features in Axiell Collections

Filmoteca Española Chooses Axiell Collections Software Suite to Manage and Share Spanish Cinematographic Heritage

Filmoteca Española will adopt Axiell’s film archive solution to manage their vast moving image collection...

By Rielle Ullberg June 3, 2021

Hungary’s National Film Institute – Film Archive Chooses Axiell Collections to Manage Central Europe’s Largest Film Collection

The Institute’s Film Archive adopts robust Axiell Collections platform as part of organizational modernization program...

By Rielle Ullberg May 4, 2021

How Axiell’s Off-the-Shelf Film Archive Solution Supports Moving Image Collections of Any Size

Through extensive work with clients like the British Film Institute and the Swedish Film Institute,...

By Rielle Ullberg November 23, 2020

Online Collections on a Budget – 6 Lessons for Smaller Institutions

In our recent whitepaper, we explored how archives, galleries and museums are driving new levels of engagement...

By Tom Gregory March 9, 2020

Preserving A Legacy – Into the Ray Harryhausen Archive

The Ray and Diana Harryhausen Foundation care for the substantial collection left by legendary stop-motion...

By chrissie July 10, 2019

British Film Institute

Rewriting the script at the British Film Institute Hundreds of thousands of film cans on...

How to keep collections systems users happy: An interview with the BFI

How to keep collections systems users happy: An interview with the BFI Louise McAward-White, Collections...

By Axiell July 11, 2018

Filmmuseum Potsdam Selects Axiell for Specialist Management of Film Collection

The Filmmuseum will leverage Axiell’s Film Archive solution to improve efficiency for staff and access...

By Axiell May 14, 2018

Digital Asset Management Interview: Stephen McConnachie, Head of Data, BFI

Stephen discusses the BFI's approach to digital asset management. The BFI uses its CMS in...

By Axiell June 8, 2017